In India, we are very guilty of the crime of watching only TV series from the US and a small bit from a few other regions besides our own output. And that is a sad loss of input for us – we have a smaller set of stories and scenarios to sample on screen.
But now I find that one can order some dramas via Netflix or Amazon. So you simply must try to find Acquitted.
It’s possible that people in Malaysia or some other regions would have access to this fine drama and I mention Malaysia in particular because the main character in this drama is married to a Malaysian and they have a teenage son.
The role of the Malaysian missus is played by English actress, Elaine Tan,
But one can’t find anything about the actor who plays the son.
Though the story revolves around a death that took place 20 years ago, there is hardly any police work as this is not a detective story.
It is a series of stories of lives and loves interlaced with each other. There are about four central couples at various stages of life from teen to touching retirement.
The drama is also about business at a world level with a dash of political sentiment.
Gaynor was only 29 when she sang it, still toiling in obscurity. And the song writer had penned it to voice his angst at losing work.
“It has since taken on other meanings for people who have overcome any difficult situation, but Dino Fekaris revealed it was about getting fired by Motown Records, where he was a staff writer.”
And it has survived to our days, repurposing itself to suit diverse needs. In fact, the pandemic has pushed its popularity up as we all want to survive.
I will survive: Music has always been key in fight against pestilence
The pandemic has not only made us worry for our lives. It’s also brought challenges to livelihoods. Here’s how teachers are using the song:
But it’s not all heartbreak and pestilence! The crowning glory of the human spirit is humour:
All those considerations apart, songs that charm us across time birth many interpretations. I’ve been enchanted by a group of musicians who have a unique approach – music without the glitter of the stage, the limelight and stardom. This new direction is more horizontal and brings a deeper engagement with music.
Jose is an extremely gifted singer who studied at the Berklee College of Music in Boston, Massachusetts, where he was part of an award-winning acapella group called Pitch Slapped.
I became a huge fan of Tomoya Nagase from the time I saw My Boss, My Hero.
And I fell head over heels with Tiger and Dragon – a must-see for fans of J-dorama.
Unubore Deka may not match those and I have not yet come across much else of Tomoyo Nagase to match those two dramas. The only teaser I can find for the film is at asianwiki.com.
It is a delightful drama about a cop who is unlucky in love. Each girl with whom he falls in love turns out to be a criminal! And that is basically how each episode will go. But how will it end? Find out for yourself!
With an excellent cast, this dorama is sure to brighten your day with many a smile!
Saijo Mie is concierge at a hotel. She has to attend to all kinds of guests. First, it’s a choreographer with his profession’s version of writer’s block. Our bumbling concierge has to help him out and she certainly is cheerfully willing though she’s not the most sophisticated of beings. But, thanks to her irrepressible can-do attitude, the artist makes a breakthrough and their little dance routine will lift the gloomiest of spirits.
The next guest is a movie director. He’s worried about how his film will be received. Right now, he needs self-confidence. Will our cute concierge work her magic again? But our lady is quite unsophisticated. She speaks her mind! The flabbergasted director masochistically asks for more. Sick of his childishness, she bluntly tells him the prognosis. And, oddly enough, it does the trick.
The next guest wants to take photos of her in all kinds of poses as his topic is working girls. Things get hot. But, wait a minute! What’s happening to the photographer? Yet another peculiar hotel guest for the concierge!
Before you have time to breathe, there’s another eccentric. This one is all bandaged up and wants his back scratched. You can imagine how much can happen when it’s a question of scratching someone’s back!
So far, it’s been males. We heave a sigh of relief as the next to occupy the suite is a lady. She has to prepare for a cookery show. But this TV expert turns out to be a zero in the cuisine department. Our concierge has to pitch in while the star chef sips wine. Is it a case of two many cooks spoiling the broth?
The tasty interlude is followed by a nostalgic turn. The new guest had booked into the suite long ago with a partner. He might die soon. Now, he wants our concierge to play the role of his long-gone partner.
One after the other, we’re entertained by the antics of whacky hotel guests and the outrageous strategies of our reluctant concierge.
Beautiful Hidden Shot – The Perfect Concierge, as the show also appears to be called, is a 2011 Fuji TV drama. Our concierge does not know that there are hidden cameras in the suite! And, of course, she does not know that we’re watching too.
Writer and director Koki Mitani uses the same cast in another hotel drama, The Uchoten Hotel.
Do watch the drama – it’s a story you’ll enjoy over and over. Here’s wishing that this type of drama begins to appear on Indian screens instead of Hollywood nonsense.
I was pretty crazy for Japanese doramas up until recently and have strayed only because I managed to find treasure from other regions. Among Japanese dramas, I have a set of favourites. But I’ll admit that I’m quite crazy about Crazy for Me or Kokoro ga Pokitto ne, as it’s called in Japanese.
It’s always hard to find good trailers for Japanese television dramas and then there’s the problem of subtitles. But if you already know how charming Japanese dramas can be, you’ll hunt this one out.
This Tokyo story finds forty year old Kojima Haruta when he’s hit rock bottom. He’s lost his job and family and has nowhere to live. Haruta meets Otake Shin who owns an antique furniture shop. Otake ‘adopts’ Haruta as furniture repairman . Haruta is deeply moved.
Sadao Abe as Haruta rocks and it’s no wonder. He has a good track record for being entertaining:
But he meets 26 year old Hayama Miyako who habitually falls in love … And a love merry-go-round begins!
If I remember right, Haruta’s wife comes back into the picture along the way and it becomes a delightful mess as almost everyone cannot help loving the owner of the furniture shop. Naohito Fujiki is like god!
Watch him sparkle in the trailer below:
In the middle of this muddle manifests a psychiatrist whose clinic is up a little hill. He is just too delightful to watch! The madness grows as does the fun you have watching.
In these gloomy times, this is a precious series. And Japanese dramas are easy to binge watch as they are rarely more than eight episodes.
What happens when a modern monarch, far from home, finds that his country is in revolt? The premise is gripping enough and, without bloodshed or any violence, the film draws you through with royal elegance.
King of the Belgians is made mockumentary style. I once thought The Blair Witch Project was brilliant in its attempt at making us feel the events were real. The technique here, however, makes for pleasurable reality.
My father once told me that the moral of the Ramayana was how to be a king without a kingdom. It is the gentle grace of manner that makes a person a monarch. Not the money or the title.
Belgium has a history that is not very good. And Belgian kings have been known to be brutal as colonial usurpers. Yet to go on propagating one view can make history repeat itself.
India has an endless list of violent films where cops are corrupt and so are many others. Perhaps that is why our reality continues to reflect the movies. I do not know if research proves that depictions affect how we are and who we choose to be but just think of Indian policemen, for example. Do they have any role model in cinema?
So King of the Belgians could perhaps provide a role for Belgian aristocracy or even for any ruler anywhere. In any case, a good ruler should soon tire of sycophancy and mingle with the masses to learn of their problems if they desire to govern well.
A retinue of armed bodyguards and a habit of public appearances only as a glamourous show can do little to lift the burdens of citizens. But as long as commercial interests ensure that we all adore showmanship and flinch from anything else, we shall have the masters we deserve.
In the meantime, it was nice to see an ideal ruler.
Belgium has a bad rap in Western Europe for violence and our average view of the land is via Jean Claude Van Damme.
The truth is that, besides delicious chocolate, the Belgians make excellent graphic novels, films and TV shows. I wish India could get to enjoy this jewel of a film.
As Covid-19 storms through our lives, the sun shines spotless. Recent information about solar tantrums are designed to scare us shitless. Indeed, given the havoc sun storms can cause us, some of us rejoiced as day after day passed and the face of the sun remained pristine.
Some, however, recalled major minimas of the past. When the sun is rather inactive, it’s in a minima. Past minimas have included ice ages. Reports also correlate such times with epidemics but we’re not really sure how that works. In any case, most of us are more aware of the sun’s active phases and, though we’re in a deep solar minima, news still tells us of fiersome solar storms from the past.
And there is trend to watch apocalyptic films during the pandemic. Some involve solar storms. Most of those are of the doomsday kind but I chanced on one recently that is another cup of tea altogether.
In the charming 2016 film from Italy, Storm Warning, there is nothing terrible at all.
Over the plot hangs the threat of a major solar storm. Fräulein – Una Fiaba d’Inverno was made in 2016 when we were in the thick of a solar maxima.
We are in a town in northeastern Italy where most speak German and a few Italian. Regina, a gloomy and lonely woman, finds her placid life upturned by a mysterious visitor, a man who insists on staying as a guest at her hotel, which has not taken anyone in for years.
It is director Caterina Carone’s debut film and she has not made another film so far. But it’s a gem nevertheless.
I wanted to make a positive film without murders, murderers and violence, a film which just gives to its viewers confidence in their own path and desire for life. In our age, there is a so deep and dramatic lack of desire and distrust in ourselves and in the future. I think that we directors, writers, artists in general, have the responsibility to tell that a better world is possible, to inspire people’s desire to feel and make the good. Media and a certain cinema and literature don’t do this enough; there’s often a sort of pleasure in pain, while our age needs confidence.
Headhunters is a gem of a film: classy acting, a cool cast – good cinematography overall. But the hero’s not Harry Hole, normally Nesbø’s hero in his novels.
In fact, our hero here is not a detective. Neat, almost aseptic, Roger Brown leads the good life. He seems to have it all. Or does he? And is it enough to retain the love of his life? What happens when someone is too clever for their own good?
Like a grand symphony the film flows from a calm and strong opening, gathering speed along the way to cascade into an action-packed finale. Contemporary to the core, the plot is a throwback to concepts of chivalrous love and a powerful morality tale.
Aksel Hennie delivers a performance worthy of his great track record with acting.
At a time when the daily news is depressing we need an escape. Try Fuben na Benriya, as Unhandy Handyman is called in Japan. The drama is the entertaining tale of Takeyama, a young screenwriter.
The young man has stormed out of Tokyo after a tiff with a director. But the bus he’s boarded can’t go any further as everything is covered with snow. So he’s stranded in a small Hokkaido village.
Masaki Okada, who acts as Takeyama, radiates perfect innocence with his boyish looks.
Finding himself unable to proceed to his destination, Takeyama wanders into a bar where a banner says ‘Welcome Jun’! Is it a case of The Return of the Prodigal Son? Who knows! But Takeyama loses his wallet and cellphone at the bar. Now he has to stay with Matsui who runs a benriya – a place that offers to do odd jobs for a fee.
The drama’s theme song: The Place Has No Name by The Straightener
In each episode Takeyama tries hard to get out of the town but each time he fails: he loses his coat, and then his backpack. Once he dyes his hair while drunk… So he stays back and helps out as handyman. Now, he’s almost part of the town!
Takeyama has blundered into an odd but loveable world full of bizarre but endearing people. The cast boasts no big stars but is studded by some of Japan’s best by-players.
Another charm of the show comes from Takeyama’s overactive mind. After all he is a screenwriter! His fertile imagination festers with scenarios and that leads to all kinds of hilarious situations.
Inconvenient Handymen, as it’s also called, has 12 half-hour episodes. Each guaranteed to make you laugh. As most of India reels under a heatwave, what can be better than watching a show that showcases Hokkaido’s winter wonderland?
There was a time when women-centric meant sob stories. Now, in parts of the world, we have more realistic depictions of females. I’m not sure how India fares on that scale. But women and men all over the world will enjoy Traces and Jordskott for their strong female leads.
Emma Hedges returns to her hometown, Dundee, to join as lab assistant at the Scottish Institute of Forensic Science. Soon it’s obvious that the MOOC she’s attending has a case which sounds much like what happened to her mother. Emma’s mother was brutally murdered ages ago but the killer was never found.
The six episodes are quickly raced through as the past unravels before Emma who is a bit of a risk taker but with her head screwed on right. Unlike that of her mother’s. The moral of the story for me is that more girls ought to take up science.
Traces is a murder mystery but one with a heart. For one thing, there is much forgiveness. But more than just being about the softness of life amidst drugs and depravity, the series holds a tender tale of love.
What I loved most: The scene where Emma explains GC-MS (Gas Chromatography- Mass Spectrometry). I wish I could get the transcript for that.
While Traces from the UK tracks the life of science, Sweden’s Jordskott brings you to the brink of the unreal. Detective Eva Thörnblad returns to Silverhöjd just as Emma came home to Dundee in Traces. Where Emma seeks her mother’s killer, Eva is still searching for her daughter who disappeared almost under her eyes, seven years back.
This binge worthy series spirals through a vortex of man versus ‘monsters’. I use the word ‘man’ because, in Jordskott, it is men who want to destroy the forest out of greed. But the ‘monsters’ (as they are called by the others) are more like Marvel superheroes – good guys mostly.
‘Leave nature alone’ seems to be the underlying message but that’s not rubbed threadbare mercifully! The show will keep you rooted (pun intended).
As with Traces, the good, the bad and the ugly are all women. And, as with Traces, the very bad is male. I do agree that it is deplorable bias but one to which we can turn a blind eye given that the men in both shows are also mostly as real as they get and as nice too – Emma’s biological father in Traces is flawed but likeable. And her romantic partner is near flawless.
In Jordskott, though, even the ultimate baddie is not as inherently evil as the villain in Traces. The Nordic lands tend to a more balanced reality even when they take us into deep fantasy. Evil, after all, is mostly a momentary lapse of judgement
Unlike Traces, Jordskott has a second season – and it sounds as promising.
Tales from Travels, the mind's magic carpet and more 
