At a time when the daily news is depressing we need an escape. Try Fuben na Benriya, as Unhandy Handyman is called in Japan. The drama is the entertaining tale of Takeyama, a young screenwriter.
The young man has stormed out of Tokyo after a tiff with a director. But the bus he’s boarded can’t go any further as everything is covered with snow. So he’s stranded in a small Hokkaido village.
Masaki Okada, who acts as Takeyama, radiates perfect innocence with his boyish looks.
Finding himself unable to proceed to his destination, Takeyama wanders into a bar where a banner says ‘Welcome Jun’! Is it a case of The Return of the Prodigal Son? Who knows! But Takeyama loses his wallet and cellphone at the bar. Now he has to stay with Matsui who runs a benriya – a place that offers to do odd jobs for a fee.
In each episode Takeyama tries hard to get out of the town but each time he fails: he loses his coat, and then his backpack. Once he dyes his hair while drunk… So he stays back and helps out as handyman. Now, he’s almost part of the town!
Takeyama has blundered into an odd but loveable world full of bizarre but endearing people. The cast boasts no big stars but is studded by some of Japan’s best by-players.
Another charm of the show comes from Takeyama’s overactive mind. After all he is a screenwriter! His fertile imagination festers with scenarios and that leads to all kinds of hilarious situations.
Inconvenient Handymen, as it’s also called, has 12 half-hour episodes. Each guaranteed to make you laugh. As most of India reels under a heatwave, what can be better than watching a show that showcases Hokkaido’s winter wonderland?
There was a time when women-centric meant sob stories. Now, in parts of the world, we have more realistic depictions of females. I’m not sure how India fares on that scale. But women and men all over the world will enjoy Traces and Jordskott for their strong female leads.
Emma Hedges returns to her hometown, Dundee, to join as lab assistant at the Scottish Institute of Forensic Science. Soon it’s obvious that the MOOC she’s attending has a case which sounds much like what happened to her mother. Emma’s mother was brutally murdered ages ago but the killer was never found.
The six episodes are quickly raced through as the past unravels before Emma who is a bit of a risk taker but with her head screwed on right. Unlike that of her mother’s. The moral of the story for me is that more girls ought to take up science.
Traces is a murder mystery but one with a heart. For one thing, there is much forgiveness. But more than just being about the softness of life amidst drugs and depravity, the series holds a tender tale of love.
What I loved most: The scene where Emma explains GC-MS (Gas Chromatography- Mass Spectrometry). I wish I could get the transcript for that.
While Traces from the UK tracks the life of science, Sweden’s Jordskott brings you to the brink of the unreal. Detective Eva Thörnblad returns to Silverhöjd just as Emma came home to Dundee in Traces. Where Emma seeks her mother’s killer, Eva is still searching for her daughter who disappeared almost under her eyes, seven years back.
This binge worthy series spirals through a vortex of man versus ‘monsters’. I use the word ‘man’ because, in Jordskott, it is men who want to destroy the forest out of greed. But the ‘monsters’ (as they are called by the others) are more like Marvel superheroes – good guys mostly.
‘Leave nature alone’ seems to be the underlying message but that’s not rubbed threadbare mercifully! The show will keep you rooted (pun intended).
As with Traces, the good, the bad and the ugly are all women. And, as with Traces, the very bad is male. I do agree that it is deplorable bias but one to which we can turn a blind eye given that the men in both shows are also mostly as real as they get and as nice too – Emma’s biological father in Traces is flawed but likeable. And her romantic partner is near flawless.
In Jordskott, though, even the ultimate baddie is not as inherently evil as the villain in Traces. The Nordic lands tend to a more balanced reality even when they take us into deep fantasy. Evil, after all, is mostly a momentary lapse of judgement
Unlike Traces, Jordskott has a second season – and it sounds as promising.
But where to watch? Ask for it by name. Create the demand for good cinema on your neighbourhood Amazon or Netflix accounts.
From a romp gone wrong to killers with a background in opera, Say My Name is 80 odd minutes of pure gold. Deliciously dark, this well made film is a toast to the genres it celebrates. Rom-com? Much more! The film will tie you up in knots and keep you biting your nails as a hapless couple falls prey to two very dangerous predators. Non stop action laced with gags galore.
Say My Name manages to include some sweetly touching moments toward the conclusion, as well as a feel-good ending that romantic comedy fans will fully embrace. The pix should also do wonders in terms of tourism for the gorgeous Welsh island where it was filmed. The locations are so scenic, in fact, that it makes you disappointed so much of the story takes place indoors.
Say My Name has American actor, Lisa Brenner as centrepiece and it’s a gourmet treat to watch her act – some of these movies which might never make it to your screens have acting that’s worth its weight in gold. Some in India might remember Lisa from The Patriot:
The film also showcases the critically acclaimed and award-winning actor and screenwriter, Celyn Jones. His role in Say My Name will have you holding your sides – I refuse to descend to spoilers. See him in a film about poet Dylan Thomas:
But there’s also Nick Blood, the male half of the victim couple. He not only acts but also writes and directs. And in the film he’s not just a pretty face. From the randy word go, in Say My Name he’s cute as pudding and will have your eyes pop out their sockets as he works each inch of skin splendidly. Yes, I’m sure we’ll never get to see it here. Besides cigarettes, male behinds are a distinctive sign of good cinema. But that’s not all Blood wiggles at us.
Perhaps Say My Name won’t come to a movie hall near you and perhaps we’re still too immature and prudish to appreciate such films. And that’s sad as we are forced to stomach the brain numbing slapstick stupidity that Hollywood and Bollywood spew upon us relentlessly. It’s time we asked for more cinema from Europe for our screens.
And Four Christmases is first on my list. It was delightful to chance upon the film and to end up watching it on Xmas night. Even for those of us who do not celebrate the festival, the prospect of four Christmases is as alluring as that of four Eids or four Diwalis. However, in this delightful rom-com of sorts, for the couple involved, it’s almost four times as painful as four visits to the dentist. But watching the duo go through the festivities at four different households turns out to be a merry experience.
The second film on my list is as short as its adorable protagonist. On the date of any religious festival whatsoever, it is only just that we consider the matter of faith. This film is a very gentle reminder of that. Far too often, religious faith becomes nothing but an occasion for some strong Us and Them moments. And faith that can live through questions is the best sort. It’s not about answers or about being convinced or unconvinced. The best sort of religious faith walks through all darknesses and emerges stronger and more loving, more gentle.
The Angel’s Share comes third on my list but is no less precious an experience. After all, it was the season to be merry! The film is a precious toast to all things divine, including good whiskey and the quality of unstrained mercy.
I can’t even give you a hint of what the fourth film was as it’s already being taken down due to protests about irreverence. Given the contemporary narrowing of minds, it’s become easy to shout ‘blasphemy’ and get away with blue murder. News is there are more than a million petitioners out for its blood and Netflix is being forced to take it off their menu. Again, sacred is as sacred does and casting stones is easy. Today, there’s rarely anything sacred in the behaviours of the religious – no real compassion, no real generosity of spirit anywhere. Perhaps such films need to be made fearlessly and the religious need to learn to smile. Else the rest of us might not be able to see the real sacred enchantment that is within all faiths.
Pylon is written by Russell Lewis, the mysterious creative genius who powers the British crime drama Endeavour. Russell has written many other good shows including the delightful The Last Detective:
Russell Lewis’ detective series Endeavour is about Inspector Morse’s early days in the police force. Detective Morse was created by Colin Dexter, an Oxford academic who birthed the novels whilst on a morose holiday with grumbling children and glum weather outside.
While the books might not be that much fun for some readers today, the show it bred, Inspector Morse, remains a favourite. The series was dominated by actor John Thaw.
And so well liked that it spawned first Inspector Lewis
Endeavour is the first name of Inspector Morse and it is rarely brought up in the original Inspector Morse show. Morse’s Quaker mother gave him the peculiar name.
Peculiar names is another enchanting feature of the show. Endeavour has a Chief Superintendent Bright and a Detective Constable Fancy. But it is Police Constable Strange who takes the cake for bizarre names. And he climbs the ranks faster than Endeavour to being Detective Chief Superintendent Strange in Inspector Morse.
Britain today is more egalitarian than it was then.
In the sixties – the period in which Endeavour is set – Britain’s so-called aristocracy still held sway. It was a world where the son of a cab driver might stand little chance. Yet Endeavour Morse, son of one such cabbie, acquires the necessary class. He has passed through a respectable university – Cambridge – at some point. He has classy tastes in music, favouring Wagner, and is a fastidious being. The character is well crafted by Russell and superbly interpreted by actor Shaun Evans who has managed to make us really feel that he is a younger John Thaw.
And, if that is not enough, Thaw’s daughter is also a regular in the show where she plays a seasoned journalist – almost the only friend young Morse has. The veteran actor’s wife also acts in the series.
In Pylon, recently demoted and bitter, Constable Endeavour Morse follows a missing horse across a field to a pylon where he finds a dead young girl with a flower crown. How did she die? And why has her body been so carefully arranged.
And it’s not only Morse who has been humiliated. The episode opens with Chief Superintendent Bright acting in a traffic PSA with a pelican. Such a step down!
But Detective Sergeant Strange has risen in power. He reminds Morse that they had promised to find out what happened to Detective Constable Fancy who was shot in the last episode where we learned that the gun that killed him was not among the guns found at the massacre.
Fred Thursday, another staple of the show, has also been demoted. His new boss is rude to Morse. It is a very disturbing time as the original team is scattered.
Endeavour is a show that stands out for its use of music too and this piece from the early part of the episode nicely sums up things as they stand:
Given the peculiar way the dead girl’s body was arranged, suspicion falls on mentally deranged Stanley Clemence. His father was hanged for murder. Is history repeating itself? Morse visits Stanley Clemence to find out as The Velvet Underground play What Goes on…
And when the estranged Strange pops up …
There are other pieces of music interwoven into the episode but these few will have to do.
Pylon has its twists and turns and offers fans all the regular features. Original creator Colin Dexter used to do a cameo role when alive. Now, he graces the show as a picture. In Pylon, his photo hangs on a wall as a poster. Thursday’s family takes a backseat in this episode with only daughter Joan popping in but romance plays a low key in Pylon. Red herrings, though, another characteristic of the drama, abound. With each show, there’s a fresh director, a fresh perspective on aesthetics.
The episode is directed by Johnny Kenton. Though I can’t find anything popular, samples of his work on Vimeo amply witness his skill.
Icarus, in Greek mythology, made wings of wax and feathers. But when he flew up the sun melted his wings and he fell.
Icarus is also the name of episode 6 of season 5 of a British crime drama, Endeavour. The series is set in the sixties, a time characterised by drug use. Youngsters flew high on the wings of various hallucinogens for youth is prone to experiment. And many came crashing down from those highs. Much like Icarus the Greek whose tale has come to us across the vastness of the past.
But in the episode, Icarus, it’s November 1968.
Endeavour revolves around a set of police detectives in Oxford, a university town in the UK. The show acts as prequel to another famous British crime series, Inspector Morse. Morse’s first name is Endeavour. And the show is about his early days in the force.
The sixties were still a time when birth mattered. Endeavour Morse’s father was a taxi driver. But he attended Cambridge, another famous British university. Yet he opts to be a cop. And it is his tastes in music, art and literature that enrich the series.
As Icarus opens, we see the police team we know so well on the verge of folding up. Detective Sergeant Endeavour, meanwhile, is sent to act as teacher, undercover, in a school. He’s to look into the disappearance of the teacher he’s replacing. The officers investigating what happened to James Ivory have died in a car crash
Morse is accompanied by Woman Police Constable Trewlove who will act as his wife. From earlier episodes we know that she’s in a relationship with Detective Constable Fancy. But for now, alone in their new living quarters, Morse plays music while Trewlove works on her toes. We wonder if she will be another of his lady loves for Endeavour has just lost another love. In Quartet, Claudine says farewell to him.
Claudine was introduced to him by Joan, the real love of his life. Joan is the daughter of Detective Chief Inspector Fred Thursday who is a kind of mentor to Endeavour.
Thursday has been sent to look into gangland matters. The show regularly features a gangster called Eddie Nero and his son is also at the school. Most of the school boys Endeavour has to teach are terrible bullies. And they are prejudiced, speaking badly of Jews and others such as the sons of rich gangsters.
The school’s games teacher is sadistic. His attitude will ring a bell for us in India. There are people who believe we have to be tough, that we have to take our country back to some golden age. Often, such folks display a love for the military. And in the worlds of such people there is no room for weakness.
Of course, a body is found. It’s not the missing teacher, however. It’s a student the school had expelled. Drugs are being used by the school boys. Drugs supplied by gangsters.
But Thursday is caught up in the tension between gangster Nero and his West indian rival. Things come to a head and the police have to rush to Nero’s place. As the show crescendos into a spiral of violence and tragedy, Jim Reeves sings He’ll Have to Go.
While the show is not all dark, there is stark loss and bitter betrayal and bleak locales shade the drama. But there is always exquisite scenery and Endeavour is a fine practice of cinematography.
Endeavour is based on crime novels written by a Colin Dexter. A part of fan enjoyment of the series are its regular features and during his life Colin Dexter would star in cameos. After his demise he continues to appear in photos. In Icarus he is in a picture on a wall behind Thursday in one scene.
Icarus is directed by Gordon Anderson who also directed the first three episodes of season five of Shetland, also a fabulous British crime series.
It’s always Russell Lewis who writes Endeavour episodes and fans breathe a sigh of relief as season six surfaced after a lull.
Quartet offers a foursome: spies, domestic violence or wife beating as we call it here, gangs, and an obstacle race.
It is probably hard for many Indians today to understand the Cold War climate. It was an era that bred much spy fiction. Spy stories thrived during the world wars.
But those wars never really ended for some. The Allies – the US and the UK, basically – had to contend with a new entrant to the game of expansion – the Soviet Union. The Germany that the Allies subdued broke into two under the strain of subjugation – East and West Germany. And East Germany provided a wonderful chance to perpetuate the idiom of the Evil Nazi.
While race relations fueled the previous episode, Colours, the fifth episode of the fifth season of the British crime series Endeavour side steps the issue but begins with an obstacle race.
October, 1968. As part of a British game show, participants from various European countries, dressed up as giants, clumsily compete in a race. Men, women and children have gathered to watch. As has the local police.
Endeavour is basically about Detective Sergeant Endeavour Morse. The series is a prequel to an already very popular show: Inspector Morse. Inspector Morse is a character created by Colin Dexter. Endeavour has many regular features in each episode and one such is to have Colin Dexter appear, much as Hitchcock did in his films. After Colin Dexter passed away, he appears in photos in the show. In Quartet, however, he is hard to spot and I’m not sure what happened there.
Detective Sergeant Endeavour Morse is at the obstacle race with other regulars from the show. And it’s a good thing the police are present for the funny games end in tragedy. One of the Giants fell during the game but does not get up. He’s been shot. As has a little boy among the spectators.
The dead man was from East Germany. However, though the police have been on the scene, they are ordered to stop looking into the case. The orders come from higher up. But Morse is not one to take orders lying down. And, as a consequence, he is plunged into the dangerous world of spies.
While Endeavour is out investigating the murders, Detective Chief Inspector Fred Thursday finds out that his newsagent might be a wife beater. And, as if that’s not enough on their plates, Morse and the others have to deal with gangland growls.
There’s also a rich perfumer with a dangerous fish as pet! And two absurd men who claim to be secret agents add a touch of humour to an otherwise tense episode.
Quartet has memorable jump-out-of-your-skin spots. And twists in the tale.